
Anthony Lane's review over at the New Yorker is hilarious and spot-on. If you can't find the 7 minutes it takes to read it, his last line probably sums it up best:
All the film lacks is a subtitle: “The Lying, the Bitch, and the Wardrobe.”
An unfocused gathering of ideas relevant to some people




The three men entered the E.G. Buehrle Collection in Zurich, Switzerland, at around 4:30 p.m.
One of the men threatened personnel at the museum's front door with a pistol and forced them to the ground, while the other two men went into an exhibition room and stole four oil paintings by Paul Cezanne, Edgar Degas, Claude Monet and Vincent van Gogh.
Afterward, the three men loaded the paintings into a white car parked in front of the museum and then drove off."
This is a "spectacular" heist? This was a corner store stick-up. 3 guys, a gun and a van. Wow. Spectacular. They walked in the front door with guns. Their van was parked right out front. A WHITE van. That must have been really hard to spot.
The Swiss need to start watching The Wire. If Omar gets a whiff of this he'll be picking off their re-ups in no time.




